Made over several years, Sydney Krantz makes in-camera multiple exposures on medium format film. Through the use of various tools and techniques, Krantz introduces methods of intervention to find new ways of introducing chance into her experimental studio practice. 

With light being the obvious foundation to the medium of photography, Sydney is not only interested in how light travels through space and optics, nor how it can be an image fixed within our consciousness, but, through the manipulation of light, how these newly formed photographs can possibly start to rattle the preconceived notion of what a photograph is.